In Search Of Hope

Noa Hagiladi, MFA 2024, Glass

Through my artistic journey, I explore the complexities of fractures—both physical and metaphysical—manifesting as geological, cultural, and national divides. my work delves into different expressions of vulnerability and fragility. 

The dialogue between the broken and the complete serves as a central motif in my work. I am captivated by the tension between what is shattered and what is whole, and the profound interactions that emerge from this juxtaposition.  

Within this dialogue lies an exploration of inner fractures.These inner fractures represent not only personal struggles but also cultural and national identities in conflict. As someone deeply connected to my homeland, I grapple with the current crises that intersect with my own identity, leading to a profound sense of trauma, loss and displacement. 

Trauma, in its myriad forms—post-trauma, collective trauma, pain, mental crisis, and physical disabilities—becomes another element melted into my artwork. Through my art, I navigate the complexities of personal and collective trauma, seeking to shed light on the human experience of suffering and resilience. 

My work serves as a reflection of these dialogues, inviting viewers to contemplate the fractures that define our world and our selves. By embracing the brokenness within and without, I strive to unearth the beauty and resilience that emerge from the depths of fracture.  

In my artwork, I explore the delicate interplay between memory, fragility, and transparency, weaving together threads of personal and collective experience. Through mediums such as photography, drawing, and glasswork, I seek to capture fleeting moments in time while reflecting on the fragility of life itself. 

Memories serve as the cornerstone of my artistic practice, anchoring me to the past and guiding my exploration of the present. Through commemoration and documentation, I aim to preserve moments that might otherwise be lost to time, capturing the essence of fleeting experiences. Drawing on my own childhood memories as a source of inspiration, I delve into the intricate layers of personal history, each memory serving as a thread in the tapestry of my identity. 

Yet, alongside individual memories, I am drawn to the notion of collective memory—the shared experiences and histories that shape our collective consciousness. Through my art, I seek to evoke a sense of nostalgia and connection, inviting viewers to reflect on their own place within the broader narrative of human experience. 

Glass serves as a metaphor for the fragility of life and the transparency of memory. In my glasswork, I explore themes of transparency and invisibility, creating pieces that reveal as much as they conceal. The material's inherent fragility mirrors the delicate nature of memory itself, while the fractures within the glass symbolize the fractures within our own lives. 

Transparency, in both a literal and metaphorical sense, allows for a deeper exploration of vulnerability and sensitivity. Through my glasswork, I invite viewers to contemplate the hidden layers of human experience, acknowledging the fractures that lie beneath the surface. In this way, my art serves as a reflection of the human condition—beautiful yet fragile, transparent yet complex. 

Ultimately, my artwork is a celebration of life's fleeting moments and the enduring power of memory. By capturing these moments in time and revealing the fragility of existence, I hope to inspire contemplation and introspection, inviting viewers to embrace the beauty and vulnerability of the human experience. 



 

Noa Hagiladi

Originally from Israel, Noa Hagiladi is an interdisciplinary artist who uses glass, drawing, and photography as her main media. Her research examines questions of identity, fragility, and vulnerability, searching for ways to express the dialog between the inner fractures and those outside. She earned her BFA from the Bezalel School of Art and Architecture in Jerusalem and is an MFA Candidate in Glass (2024) at Tyler School of Art and Architecture in Philadelphia, Pennsylvania where she was awarded a Temple University Graduate Fellowship for her two years of study. She has been awarded scholarships to participate in workshops at Penland School of Craft, The Studios at Corning, Haystack School of Craft, and Pilchuck Glass School. Her work has been published in New Glass Review and exhibited in numerous exhibitions in Israel and internationally, including SOFA Chicago and Sotheby's in London.